With horrible ratings, Chicagoland ranks among one of television’s biggest flops
Did Mayor Rahm Emanuel’s administration manipulate scenes?
I guess Chicago would’ve been better off if we were attacked by a Sharknado.
When the dust clears, CNN’s Chicagoland will go down as one of the biggest bombs in the history of television – and one of the worst shows in the history of the medium. While no one was expecting a Chicago love-letter or a feel-good presentation, the series actually wound up hurting the city’s image more than helped it.
And now we learn Chicagoland wasn’t as authentic as we thought. In fact, it was about as authentic as the hair on Wendy Williams’ head.
On April 25 – the day after Chicagoland concluded its run, the Chicago Tribune’s Bill Ruthhart reported the producers of the show manipulated many scenes featuring Chicago Mayor Rahm Emanuel, with as many as 700 e-mails revealing the rather close relationship between the mayor’s advisers and producers, promising to show Emanuel in the best light possible and showcase him “as the star that he really is”. The producers worked with Emanuel to craft certain storylines and create specific scenes for the show – not to mention manipulatively edit situations to make the mayor smell like guest-room soap.
Some of the set-ups were so contrived, an episode of Cheaters seemed to have more credibility.
Of course, it helps that Chicagoland producers Marc Levin and Mark Benjamin are represented by William Morris Endveaor – the same agency run by Ari Emanuel – who is the brother of mayor Rahm Emanuel. They promised there would be no “conflict of interest”.
CNN was forced to defend itself later in the day, saying it did not give City Hall any editorial control over the series. But this eight-hour “documentary” turned out not to be journalism, but a campaign piece for Mayor Emanuel (who recently admitted he has never seen the show.)
Call it a “Rahmfomercial”.
Yours truly actually did watch all eight episodes of this hot mess – yes, all eight of them – and I’m lucky I haven’t gone upside my head with a frying pan. This wasn’t just bad – this was Star Wars prequel bad. I was surprised Mayor Emanuel didn’t hire Kenya Moore from The Real Housewives Of Atlanta to be his press secretary just for the show.
As a person who has studied playwriting and screenwriting – and wrote a couple of scripts along the way, I can tell you every act in the episode – every episode – was structured the same. First we see Chicagoans at play (at a concert, restaurant, Hawks game, etc.), and then we head over to the ‘hood for the carnage and violence and would remain there until the end of the act. It made for a rather predictable, bland, and paint-by-numbers product.
Some segments weren’t bad – the talented Chance the Rapper got to show off his skills and Fenger principal Elizabeth Dozier was seen trying to hold her high school together. Unfortunately – and not surprisingly, Chicagoland absolutely did nothing for the city’s African-American community – it just reinforced the same old stereotypes, making it appear all black men in Chicago are gangsta rappers running around with guns and showing nothing but hopelessness and despair, as black viewers (the few who watched) increasingly complained about the portrayal of their neighborhoods as the series progressed. It became increasingly hard to watch.
Even worse, yours truly learned (from a commenter who posted in a John Kass column) that footage from my alma mater – Leo High School, an all-boys Catholic School in Chicago’s Auburn Gresham neighborhood – didn’t make the cut. Neither did the annual Bud Billiken Parade, the second-largest in the country and is attended largely by African-Americans (but found time to feature St. Sabina’s Father Michael Pflager running his mouth.)
And if Chicagoland stereotyped African-Americans poorly, it pretended the city’s Hispanic population barely existed, only getting screen time in the seventh episode and showed a measly clip of the Mexican Independence Day parade down 26th Street.
As for promising to show the mayor in the best light possible, they sure did a good job – the producers edited out the mayor being booed at a basketball game at St. Sabina and the only news footage of his critics were from Asean Johnson – a student from one of the 50 schools being closed; and Chicago Public Teacher Union President Karen Lewis, who declined to participate in the show.
— ChicagoTeachersUnion (@CTULocal1) May 5, 2014
The use of co-writer and Pulitzer Prize Award-Winning columnist Mark Konkol as narrator was irritating, and was the worst part of the show. And even more irritating was his use – or overuse – of the words “national attention” and “national news”, throwing them around like fish (yours truly actually had a run-in with Konkol online several years ago, and it wasn’t pleasant.)
If you’re shocked about the award, keep in mind Milli Vanilli won a Grammy.
At the start, Chicagoland had a 61 Metacritic rating and generally favorable reviews from local critics, but even they had became tired of the all-Rahm, all-the-time focus, and turned against the show when Mayor Emanuel’s manipulation was revealed. Veteran Tribune writer Rick Kogan criticized the show for its constant focus on the mayor and street violence, while The Trib’s Kass never bought into the hype to begin with.
Being the nice guy I am, yours truly rated it a C for its first episode. But each subsequent show became worse and worse.
But the best analysis – and criticism of the show came from local blog The Beachwood Reporter where Steve Rhodes (not to be confused with the next door neighbor from Married… With Children) and “The Angry Aussie” took apart each episode and took turns analyzing – or ripping into – the show on the site’s podcast. One great point Rhodes made was the unnecessary addition of Mayor Emanuel’s visit to The Late Show With David Letterman to the documentary, where the soon-to-retire host asked the mayor about the city’s crime epidemic. Emanuel, of course, danced around the question.
And the viewers’ reaction? Well, let’s ask them:
The more I watch it, the more I realize #Chicagoland is a piece of garbage.
— Sam Charles (@samjcharles) April 6, 2014
— marianna (@marianna_emh) April 25, 2014
Never watched #Chicagoland because I felt as reporters we see the real stories of violence all too often. Sounds like I was right.
— Rob Elgas (@RobElgasABC7) April 25, 2014
In its first week on the air, Chicagoland drew an unimpressive 629,000 total viewers, but steadily declined throughout its run, with the series finale nabbing only 325,000 – a 48 percent drop and a series low. In the key 25-54 demo, Chicagoland lost 42 percent of its audience throughout its run, starting with 227,000 viewers and ending with 132,000. The series often finished third among cable news networks.
Even worse, Chicagoland skewed quite old – the series’ ratings among adults 18-49 were negligible. For a show with a lot of young people in it, Chicagoland had practically zero youth appeal.
Chicagoland also suffered from a lack of promotion from CNN as they started pre-empting repeats of the show for missing Malaysian plane coverage or for other programming, not really giving viewers a chance to sample the series (yours truly had to watch the last three episodes on-demand.)
Meanwhile, Chicagoland was never able to find an audience even in its hometown. The eight-episode run averaged only a 1.75 household rating according to Nielsen, with the April 24 finale drawing a series-low 1.3. Among total viewers, the finale drew only 69,250 viewers according to the Sun-Times – a number roughly the size of northwest suburban Palatine.
For those worried about this show worsening Chicago’s national image, at least there’s this positive: hardly anyone watched.
Chicagoland had potential to become a great documentary for the ages. Unfortunately, the series suffered from poor story structure, dialogue, terrible narration, cliches, racial stereotyping, and too much Rahm Emanuel. Viewers – well, the few who were there for the first episode, fled for the exits when it became apparent where this show was going.
And guess where is Chicagoland going now? That’s right – to The T Dog Media TV Hall Of Shame of course, where it will sit among such classics such as Allen Gregory, Animal Practice, two shows named Brothers (two!) and We Got It Made. What’s worse, watching Sharknado or Teri Copley act like a ditz was actually more entertaining.
Are you done laughing now? Good. Because in all seriousness, Chicagoland was a piece of excrement that hurt the city’s image more than anyone could imagine, using shock value, manipulative editing, and staged theatrics in lieu of a REAL discussion regarding Chicago’s real problems, which could force it off a cliff – resulting in less jobs, worse schools, higher crime, even higher taxes, and… wait for it – lower ad revenue for the city’s media outlets.
And that my friends, isn’t funny.